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  • 1570s Florentine Gown from the Skin Out

1570s Florentine Gown from the Skin Out

AS 55 Spring Queen's Prize Winner -Bring Your Best
Full Gown
Undergarments - Camicia, Brache, Calze, Garters & Coif
Back View of Undergarments
Layer 2 - Stays, Petticoat, & Shoes
Layer 2 - Stays, Petticoat, & Shoes
Layer 3 - Sottana, Fan, & Partlet
Layer 3 - Sottana, Fan, & Partlet
Layer 3 - Pocket & Sottana
Layer 3 - Pocket & Sottana
Layer 4 - Zimmara, Zibbellino, Jewelry, & Muff
Layer 4 - Zimmara, Zibbellino, Jewelry, & Muff
Back View - Zimarra

Inspiration for the overall style of this outfit came from the portrait of Selvaggia di Baldo Fiervanti painted by Niccolo di Giovanni Betti in approximately 1570. This project consists of several layers of clothing.  The first layer would be the undergarments including a pair of brache (italian for bloomers or drawers) based on an extant pair in the Met Museum, a camicia (shift or chemise) based on an extant camicia housed in the Met Museum and detailed in Patterns of Fashion 4, calze (stockings) based on an extant pair in the Met Museum, and cinte per gambe (garters) based on an extant card woven garters held in the Museum of Colonial Williamsburg. The second layer is a structural layer that consists of a sotanne (petticoat) and busto di sotto (stays) based on the Allesandro Allori’s Fresco "A Woman at her Toilet", as well as a gorgiera (partlet) that is based on Allesandro Allori's “Portrait of a Lady” (probably Camilla Martelli) from the 1570s. The third layer consists of a sottana (gown) that is similar in construction to the burial dress of Eleanor of Toledo and the Red Dress of Pisa as outlined in Patterns of Fashion 3.  The final layer is the zimarra (overgown) that is similar in construction to the extant dress of Dorothea Sabina von Neuburg as outlined in Patterns of Fashion 3 and is constructed to resemble the initial inspiration portrait.

2 yards of medium weight white linen

5 yards of handkerchief weight white linen

5.5 yards of medium weight weight purple linen

1.5  yards of bronze dupioni silk

2 yards Linen Canvas

2 yards White Silk Cotton Blend Fabric

7 yards White & Gold Silk Blend Brocade

2 yards of Purple Silk - hand dyed

2 yards of Linen Canvas

4 yards of White Cotton Muslin

2 yards White Wool Felt

6 yards of Purple Cotton Velveteen

Thread, Scissors, Pins, Needles, etc.

Embroidery Hoop

Silk Embroidery Yarn in Purple & Black & White

White machine made lace in 2 Styles. 

Machine Embroidery Hoop

Sulky Machine Embroidery Thread in Purple & Gold

Digital Machine Embroidery Files

Water Soluble Interfacing

Sewing Machine & Serger

Cotton Crochet Thread in Purple & Ecru

Brass Rings

Hooks & Eyes

3 yards of gold & White braided trim

1 yard of ribbon elastic

Upholstery Weight Thread in White, Purple, & Cream

Fusible Interfacing

Japanese Gold Thread from  DMC (6 Spools)

3 yards Ecru Poly Decorator Cord

2 yards of Gold Poly Decorator Cord

4 yards of Gold Silk Ribbon

10 yards of Gold Trim

Brass Aiglets

Glass Pearls

Brass Jewelry Findings

Jewelry Pliers

Rit Dye

Please see the uploaded pdf for the construction details of each of the items making up the complete outfit.

Bibliography

Primary Sources: 

Anea. “Extant Italian Dresses.”Anea's Costume Files, aneafiles.webs.com/renaissancegallery/extant.html. Images are the website owner's personal images. Must be accessed through the wayback machine.

Alcega, Juan de., and J. L. Nevinson.Tailors pattern book, 1589: facsimile. Costume & Fashion Press, 1999.

Arnold, Janet.Patterns of fashion. Vol.3, MacMillan Publishers Ltd., 1985.

Arnold, Janet. Patterns of Fashion . Vol. 4, Macmillan Publishers Ltd, 1984.

“Garter.” – Works – The Colonial Williamsburg Foundation, 1 Jan. 1970, emuseum.history.org/objects/461/garter?ctx=720990273e673da41f6868dad0439889f251c927&idx=6. 

Gnagy, Mathew, and A. LaPorta. The Modern Maker, Vol. 2: Pattern Manual, 1580-1640. Printed by Creativespace.com, 2018.

Orsi-Landini, Roberta, and Bruna Niccoli.Moda a Firenze 1540-1580: lo stile di Eleonora di Toledo e la sua influenza. Polistampa, 2005. 

Paganino, Alessandro, and Ugo Baroncelli. Il Burato, Libro De Recami. Ristampe Anastiche, 1538, Internet Archive, archive.org/details/ilburatolibroder00paga/mode/2up.

“Stockings, 16th Century Italian.” Metmuseum.org, www.metmuseum.org/collection/the-collection-online/search/83870.

“Tousers, Italian.” Metmuseum.org, www.metmuseum.org/art/collection/search/83869.

Secondary Sources: 

Lozano, Carolyn. “Inkle Loom Pattern Generator.” The Carolingian Realm, carolingianrealm.blog/PatternGenerator.php 

Making an Elizabethan Corset Pattern, www.elizabethancostume.net/corsets/pattern.html.

Sundström , Amica, and Maria Neijman. “Historical Textiles by Two Textile Nerds.”Historical textiles, 3 Nov. 2017, historicaltextiles.org/. Cross posted to Blog on Facebook on the same date.

1570s Florentine Gown from the Skin Out QP.pdf (9.91 MB)

I am working on getting all of the pieces and parts blogged into a dress diary.  https://mandyrenee1976.wixsite.com/florentinelady/blog

 

This project was started April of 2020 and was worked on through January 2021.  10 months and 41 yards of fabric, not including the mock ups.  This project was a challenge because I had previously started a skin out project but never got completely finished and would get side tracked to other projects. This is project should be listed under Bring Your Best.

2021-02-20
Whole outfits

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THLady Cecilia Caterina da Firenze

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